HUZZAH! Dr. Grordbort's Infallible Aether Oscillators, once the cutting edge of ray-pistol technology, were thought to be lost for all time. But 1,500 of the vintage firearms were recently discovered in an attic in New Zealand, and they will be offered for sale to the general public for the eminently reasonable price of $690 each. Plus, today only, the solicitors will include a pressed-tin case with genuine moon-velvet lining.
OK, these aren't authentic aether oscillators — there's no such thing. Sold by kiwi special-effects house Weta, they're expensive toys for geeks, crafted by the same people who designed props and miniatures for King Kong and the Lord of the Rings films. But there's no movie tie-in here. This line of toy laser guns started out as drawings by artist Greg Broadmore; they then were crafted by modelmaker David Tremont and cast in metal. (nicked from Wired)
... but with starting a new job and not having my computer with me in CA, it's been difficult to get any posts on TAG. 
Unlike the long-established Joe Kubert School of Cartoon and Graphic Art, a three-year school in New Jersey which concentrates on preparing its students to compete in the market for mainstream comic books and graphic design, the relatively new Center for Cartoon Studies in Vermont is a two-year school that focuses on preparing students for creating comics with an emphasis on the even riskier, but very worthwhile, path of independent creation and self-publishing, particularly in the “graphic novel” form.
The Center boasts an impressive roster of resident and visiting faculty, comprised of professionals in the field, and has been getting good press notice. Names associated with the school in various capacities include Steve Bissette, Denis Kitchen, Eric Reynolds of Fantagraphics, William Horberg of Wonderland Films, Diana Schutz of Dark Horse Comics, Skip Morrow, James Kochalka and before his untimely death, Will Eisner. Visiting lecturers have included Allison Bechdel, Bill Griffith, Harry Bliss, Ed Koren, Jason Little, Seth, Brian Walker, and Chris Ware.
The Center for Cartoon Studies was founded in 2004 by James Sturm, an award winning cartoonist noted for his series The Cereal Killings and his graphic novel The Golem’s Mighty Swing, which was named “Best Comic 2001″ by Time magazine, and Michelle Ollie, who is experienced in the business side of art schools from her association with the Minneapolis College of Art and Design and the New York Institute of Technology.
There is an illustrated article by Sturm on Slate about the founding of the school. There in also an interesting recent article in the Christian Science Monitor that gives a nice overview of the school as well as a more personal picture of it from a student point of view.
Notice is expanding on the web and you can also find accounts of the Center from the point of view of students like Josie Whitmore (on Kochalkaholic), and visiting lecturers like Alec Longstreth. There is also a description of the center from Publisher’s Weekly.
The school offers a one-year and two year course of study that look as though they focus on grounding the student in some of the traditional basics necessary to understand and create effective works in the medium of comics, including some knowledge of graphic design and publishing.
The school has just released the first publication under it’s own auspices, Houdini: The Handcuff King by Sturm, Jason Lutes and Nick Bertozzi (more info here), the first in a series of graphic novels for young readers.
There is also a fascinating book called A Guidebook to The Center for Cartoon Studies by James Sturm and Kevin Huizenga, from which the image above has been cropped (review here on PopSyndicate), that serves as an introduction to the school and is, of course, in the form of a graphic story.
Addendum: Filmaker Tara Wray (”Manhattan, Kansas”) is currently filming a documentary called Cartoon College, about a year in the life of the school. There is a trailer online on the Center’s web site.
